Short description
Welchs biography of Anna Anderson, the mysterious woman who claimed to be the lone survivor of the Russian imperial family, is a tragic comedy in the best Russian tradition--a compelling, eerie, and frequently hilarious study of discipleship, snobbery, and life after death. Illustrated.
Long description
An extraordinary story of tenacity and intrigue, and the deep human urge to salvage hope from tragedy. Did the seventeen-year-old Grand Duchess Anastasia survive the massacre of the Russian imperial family in 1918? Over the years, the possibility that the youngest of the tsar's four daughters might have escaped the killings has provided rich spawning ground for claimants. By far the best known of these was Anna Anderson, a mysterious young woman who appeared in Berlin in 1920. Anna attracted a bizarre coterie of supporters— some of whom had known the grand duchess as a child— who risked life and limb, and often all their savings, in a desperate attempt to prove that Anastasia had, after all, survived. But who was Anna Anderson— and just how did she manage to convince so many people that she was the real Anastasia? Frances Welch's A Romanov Fantasy is a tragic comedy in the best Russian tradition— a compelling, eerie, and frequently hilarious study of discipleship, snobbery, and life after death. 54 illustrations.
Review
A scrupulously mined account of the woman who claimed to be the Grand Duchess Anastasia.Extensive research and interviews conducted by Welch (The Romanovs and Mr. Gibbes: The Story of the Englishman Who Taught the Children of Last Tsar, 2005, etc.) give historical heft to this fascinating story of a delusional factory worker who spent 60 years posing as royalty. On the evening of July 17, 1918, Tsar Nicholas II, his wife Alexandra and their five children, including 17-year-old Anastasia, were led into the basement of the Bolsheviks' House of Special Purpose and shot. The soldiers were drunk, jewels sewn into the victims' bodices caused bullets to ricochet, the scene was chaotic; nonetheless, according to eyewitness testimony, there were no imperial survivors. In the 1920s, a woman who went by the names Anna Anderson and Anna Tschaikovsky stepped forward, alleging to be Anastasia Nikolaievna. She offered no evidence and a spotty tale of escape, refusing to describe the night of her supposed assassination because it was too traumatic to discuss. Anderson was, in fact, unable even to speak Russian. Nonetheless, strangers and childhood friends received her with mixed reactions ranging from denial to conviction that she was the long-lost duchess. The most fascinating aspect of the book centers around her followers, the self-described Anastasians, and the lengths to which they extended themselves on her behalf. Of particular note is Gleb Botkin, son of the tsar's physician, who was acquainted with Anastasia when they were children and subsequently devoted much of his life to advocating Anderson's claim by writing fictionalized tomes inspired by her story. Ten years after Anderson's death in 1984, DNA testing conclusively proved that she was not Anastasia, but Franziska Schanzkowska, a Polish peasant. Clues throughout the book ensure that Anderson's unveiling doesn't come as a surprise. The real question here is not her true identity, but what motivated her lies in the first place, a mystery about which Welch can only speculate.Engaging examination of a false identity. (Kirkus Reviews)