Martin believes he can possess both a beautiful wife and a delightful lover. But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional re-education. Then he meets a woman whose demonic splendor at first repels him and later arouses a consuming and monstrous passion. How will he survive it?
Martin Lynch-Gibbon believes he can possess both a beautiful wife and a delightful lover. But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional re-education. He attempts to behave beautifully and sensibly. Then he meets a woman whose demonic splendour at first repels him and later arouses a consuming and monstrous passion. As his Medusa informs him, 'this is nothing to do with happiness'.
This is a comedy with that touch of ferocity about it which makes for excitement -- Elizabeth Jane Howard Of all the novelists that have made their bow since the war she seems to me to be the most remarkable...behind her books one feels a power of intellect quite exceptional in a novelist Sunday Times Immensely readable...Miss Murdoch is blessedly clever without any of the aridity which, for some reason, that word is supposed to imply -- Philip Toynbee
Iris Murdoch was born in Dublin in 1919 of Anglo-Irish parents. She went to Badminton School, Bristol, and read classics at Somerville College, Oxford. During the war she was an Assistant Principal at the Treasury, and then worked with UNRRA in London, Belgium and Austria. She held a studentship in philosophy at Newnham College, Cambridge, and then in 1948 she returned to Oxford, where she became a Fellow of St Anne's College. Until her death in February 1999, she lived with her husband, the teacher and critic John Bayley, in Oxford. Awarded the CBE in 1976, Iris Murdoch was made a DBE in the 1987 New Year's Honours List. In the 1997 PEN Awards she received the Gold Pen for Distinguished Service to Literature. Iris Murdoch made her writing debut in 1954 with Under the Net, and went on to write twenty-six novels, including the Booker prize-winning The Sea, The Sea (1978). Other literary awards include the James Tait Black Memorial Prize for The Black Prince (1973) and the Whitbread Prize (now the Costa Book Award) for The Sacred and Profane Love Machine (1974). Her works of philosophy include Sartre: Romantic Rationalist, Metaphysics as a Guide to Morals (1992) and Existentialists and Mystics (1997) She wrote several plays including The Italian Girl (with James Saunders) and The Black Prince, adapted from her novels of the same name. She died in February 1999.
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