Short description
Discusses and demystifies "Kant's Critique of the Power of Judgment", guiding the reader and placing key points of discussion in the context of Kant's other work. The starting point of Kant's aesthetics, and the author's treatment, is the observation that aesthetic judgments seem to hover uneasily between subjective and objective domains.
Long description
"Kant's Critique of the Power of Judgment" is one of the most important and enduring contributions to philosophical aesthetics. It is also notoriously difficult. In An Introduction to Kant's Aesthetics, Christian Wenzel discusses and demystifies this seminal work, guiding the reader each step of the way, placing key points of discussion in the context of Kant's other work. The starting point of Kant's aesthetics, and Wenzel's treatment, is the observation that aesthetic judgments seem to hover uneasily between subjective and objective domains. On the one hand, there appear to be standards of taste, such that aesthetic judgments demand some kind of consensus; on the other hand, there simultaneously seem to exist no specific rules governing what is beautiful. Beginning with this premise, Kant delineates four moments of aesthetic judgment, considers the question of the beautiful, the sublime, and the ugly, and from this groundwork creates a new philosophical theory that reveals the essence of taste, and much else, about human nature besides.;Wenzel artfully guides readers through Kant's work with thoroughness and clarity, making Kant's aesthetics accessible to newcomers and more rewarding for those returning to the subject.
Review
"As an overall assessment, then, this is undoubtedly one of the most interesting and meticulous "guides" to Kant's aesthetic theory. Even though Wenzel clearly adopts a slightly different approach to Kant's aesthetic theory than this reviewer, this book is probably the best introductory volume currently available." Elisabeth Shellekens, The Journal of Aesthetics and Art Criticism "In sum, I highly recommend this book to students and scholars with some familiarity with Kant and the "Critique of Aesthetic Judgment." This book will surely deepen their understanding of Kant." Kenneth F. Rogerson, Notre Dame Philosophical Reviews "Wenzel's book is an invaluable aid for all serious students of Kant's third Critique. The reconstruction of arguments is clear and concise; the annotated bibliography is remarkably knowledgeable and helpful." Karl Ameriks, University of Notre Dame "This volume will be indispensable to any new reader of Kant's third Critique who seeks illumination of its key concepts, insights into its philosophical context, and guidance for further study." Eckart Forster, Johns Hopkins University
Table of contents
- Foreword by Henry E
- AllisonAcknowledgmentsAbout This BookNote on the TranslationIntroductionThe Aesthetic Dimension Between Subject and ObjectThe Meaning of "Aesthetic"Categories as a GuideThe "Moments" of a Judgment of TastePart I
- Disinterestedness
- First MomentDisinterestedness as a Subjective CriterionThree Kinds of Satisfaction
- Agreeable, Beautiful, GoodPart II
- Universality
- Second MomentThe Argument from Self
- Reflection
- Private, Public, UniversalSubjective UniversalityA Case of Transcendental LogicSingular "but" UniversalHow to read Section Part III
- Purposiveness
- Third MomentPurpose without Will, Purposiveness without PurposePurposiveness and Form
- Charm versus EulerOf "Greatest Importance"
- Beauty and PerfectionBeauty
- Free, Dependent, and IdealPart IV
- Necessity
- Fourth MomentExemplary NecessityKant's Interpretation of the sensus communisThe DeductionPartV
- Fine Art, Nature, and GeniusFine Art and Why It Must Seem like NatureGenius and TasteGenius and Aesthetic IdeasPart VI
- Beyond BeautyThe SublimeBeauty as the Symbol of MoralityThe Analytic, the Dialectic, and the SupersensiblePart VII
- Two ChallengesCan Kant's Aesthetics Account for the Ugly?Can there be Beauty and Genius in Mathematics?Summary and OverviewBefore KantKant's AestheticsAfter KantGlossaryBibliographyIndex